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Street Girls Free Download Fixed

That means everyone has the freedom to enjoy and reuse these materials in almost limitless ways. The Library now makes it possible to download such items in the highest resolution available directly from the Digital Collections website.

Street Girls Free Download

Music and songs are a central feature of Harvey Girls Forever! with showrunners Brendan Hay and Aliki Theofilopoulos creating a fictional boy band named Crush4U made up of actual boy band members to be the subject of affection for character Lotta.[7] We've gotten to work... with New Kids on the Block's Joey McIntyre, Boyz II Men's Shawn Stockman, NSYNC's Joey Fatone and 98 Degrees' Nick Lachey in our Harvey Street world created boy band," said Aliki to[8] Original songs were produced by composers Jay Vincent and Ryan Lofty.[9] As part of the promotion for Harvey Girls Forever! season two the songs were made available for free download.

Learn about over 1,000 camps and ghettos in Volumes I-III of this encyclopedia, which are available as a free PDF download. This reference provides text, photographs, charts, maps, and extensive indexes.

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Across the complex and often conflicting cultures of this diverse set of cities, the platform allowed girls and young women to share stories, generating a vast bank of data that can hold stakeholders to account for their inaction and acceptance of harassment of girls and young women, which has a direct negative effect on their freedom of movement and ability to participate in city life. The data and the stories from the girls and young women challenge the perspectives of the police, public transport operators, and local government authorities, as well as generating awareness about the levels of harassment and violence that go unnoticed, in order to initiate behaviour change. This article outlines the findings from Free to Be, and explores the ways data and activism led by girls and young women are a powerful method for creating change.

Methods of participant recruitment varied by city, but included social media campaigns, news media reports, and television and radio exposure. In order to collect data from those who might otherwise not have access to the digital and online facilities required, in Delhi and Kampala, and to a lesser extent in Lima and Madrid, girls and young women were also directly recruited on the street. Women and girls and those identifying as other genders who reported themselves to be aged 30 or younger were included in the analysis (see Table 1). In total, 21,200 valid pins and 9,292 comments were included in the analysis. Note that participants were able to submit more than one pin.

The themes gathered from the many stories submitted on the Free to Be Maps across the five cities demonstrated clearly both the ubiquity of sexual harassment and the impunity with which men and boys perpetrate it against girls and young women. Those participating understood that street harassment is firmly founded in the structural inequality between the genders. Gender discrimination was the dominant form of discrimination identified by participants in Madrid, Lima, Delhi, and Sydney, with more than half of all instances of street harassment identified as being gender-based. Even in Kampala, where only 41 per cent of participants noted that their experience was based on any form of discrimination, the majority of these participants noted gender as the basis of that discrimination. Despite the differing cultural and legal frameworks in each of the countries, the universal lack of accountability for male actions was very clear. However, directly holding each individual perpetrator to account is beyond the reach of this project, of the young people involved, or of civil society organisations. The goal is, therefore, to provide data that will push society at large to ensure systems, processes, and environments are safe and empowering for girls and young women.

With more than 30,000 pins dropped on the maps in just six weeks, the project provides clear evidence that girls and young women are willing to share their experiences of street harassment when they believe they will be heard and it will lead to change. This points to the need for a universal shift in discourse: chronic rates of underreporting can no longer be blamed on girls and young women being unwilling to share their experiences. Accountability for improving rates of reporting does not lie with the young women who are experiencing harassment; this accountability lies with authorities to make reporting systems, laws, and culture more accessible and welcoming to these young women. Given the relatively low proportion of reporting to authorities (and the lack of meaningful response from them), Free to Be demonstrates the need for alternative forms of recording the lived experiences of girls and young women that would otherwise remain silent. 041b061a72


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